* ‘Logos in Cuts & Spirals‘ No1
An Ongoing Work in Progress
Is Presented by Collaborative Ensemble :
Choreographic Synthesis / Performance Device
Body-Movement-Voice / Performance Interpretation
Sound-Music / Performance Interpretation
Cinematography /Performance Interpretation
This Performance-Version is for:
4 Dancers Performers - 1 Musician Performer - 1 Cinematographer Performer
An Open -Mutable Score for Intermedia Performances
To Be Interpreted and Performed By Artists with Different Art Mediums
The Event Itself is Open -Mutable as the Performers Keep Open the Interaction with the Score Throughout its Performance
Every Performance of the Event is Open to be Varied in All its Elements and Parameters, throughout its Evolution and in every New Performance Version.
Open Duration - No Time Limit
*Research Investigation Exploration
FOR Methodology & Working Techniques + Practises
RESULTING to Tasks + Scores
OF Experimental Processes + Experiential Practices
FOR Interdisciplinary Performances -Open Works -Process Orientated - Performer Centred
AT the Intersection of Performance - Live Art - Improvisation
WITH Interrelations of Body –Movement –Text –Voice –Sound –Music -Image
*Stage – Performance Scene
Fusion of Studio Space/Time & Performance Space/Time
*Audience
Spectator who is Watching a Spectacle ?
Or Witness who is Witnessing an Event ?
*A Critical Choreographing Practice
IN RELATION to A Broader Nexus ---Artistic ---Existential ---SocioPolitical
Creating Spaces to explore = Immediacy & Reality
-the Experience of things
-the Ambiguities of Meaning
-the States of the Individual Agency
Corporality -Inner Body -Outer Body
Motion - Gesture –Movement –Action
Practises – Ways – Paths
Medium - Means
Logos-Word – Voice – Sound
Memory – Biography – the Personal – Issues – Matters –States - Desires
Relations- Interrelations -Interactions – Reactions -Positions – Statements - Conditions – Choices
* Work Analysis
Open Score
Open Work
Open Form
Open Structure
Open To Time
Open To Space
Open To the Moment
Open To Evolvement
Open To Real
Open To Mutable
Open To the Personal
Open To the Subjective
Open To the Internal
Open To the Invisible
Open To Unknown
Open To Unpredictable
Open To Imponderable
Open To Inexplicable
Open To Unintelligible
Open To Ambiguous
Open To Paradox
Open To Secret
Open To Poetic
Open To Meaning
Open To the Context
Open To the Actuality
Open to the Activity
Open to Subversion
Open to Possibilities
No End
No Construction
No Control
No Confinement
No Definition
No Linear
No Finalization
-------------------
No Showing
No Knowing
No Descriptive
No Narrative
No Illustrative
No Theatrical
No Acting
-------------------
No Anticipation
No Premeditation
No Intermediation
Νο Explanation
No Justification
No Excuse
No Apology
* Work Practice
OK Gaps
OK Discontinuity
OK Interruption
OK to Diffuse
OK to Dissolve
OK ‘Silences’
OK ‘Pauses’
OK Fragments
---------------------
OK Incomprehension
OK Uncertainty
OK Searching
OK Instability
OK Puzzlement
OK Frustation
OK Conflict
OK Contetement
OK Pleasure
OK Enjoyment
OK Difficulty
OK Easiness
---------------------
OK Motion
OK Stillness
OK Simplicity
OK Complexity
OK Climax
OK Anticlimax
OK Tidewise
OK Repetitions
OK Moments of Movement
OK Action
OK Gesture
----------------------------
OK to Be in Harmony
OK to Contradict
OK to be in Flux
OK to Juxtapose
OK to Relate
OK Not to Relate
OK to Responde
OK Not to Responde
OK to Interact
OK to Counteract
OK Together (2-3-4)
OK Apart
OK With
OK Separated
OK Outwards
OK Inwards
OK Close
OK Distant
--------------------
OK to Look
OK to Listen
OK to Challenge
OK to Attempt
OK to Come
OK to Go
OK to Enter
OK to Exit
OK to Carry On
OK to Cut off
OK to Insist
OK to Quit
OK to Deny
OK to Accept
OK to Avoid
OK to Embrace
OK to Fight it
OK to Invite it
-------------------------
OK to Follow through
OK to Suspend
OK to Pursuit
OK to Interrupt
OK to Break In
OK to Break Out
OK Slow
OK Fast
OK Little- Minimum
OK Big – Maximum
OK Strong
OK Soft
OK ‘Quite’
OK ‘Noisy’
OK Smooth
OK Harsh
-------------------------
OK Not knowing
OK Not Naming
OK Not Concluding
OK Not Defining
* ‘LOST ’ IN TIME & SPACE
IN + THROUGH + BEYOND
Space Auditory & Visual = INSIDE & OUTSIDE
Open + Expanded
Every Single Point Counts
Everywhere Paths + Directions
Shaping – Rechaping – Moving the Space
Other perception – Other Perspective
No Limits to Floor-Ceiling – Wals – Projected Live Image
No Defined
No Orientation
No Frame
No Staging
No Placement
No Positioning
No Confinement
No Box
No Rectangular
No 3D Cross
No Lines
No Directions
Time
Time is Space
Timeless Space
Spacious Time
* BODY – LOGOS -SOUND –IMAGE
IN + THROUGH + BEYOND
BODYSPACE = An Existential Space
LOGOSSPACE = A Meaning Space
SOUNDSPACE =An Auditive Space
IMAGESPACE = A Visual Space
BODYLAND = An Experiencing Land
LOGOSLAND = A Signing Land
SOUNDLAND = A Vibrating Land
IMAGELAND = A Seeing Land
BODYSCAPE = A Living Scape
LOGOSSCAPE = A Mystic Scape
SOUNDSCAPE = An Invisible Scape
IMAGESCAPE = A Visible Scape
* Work Guide Lines
*LOGOS (3)TRIAD notions:
1 LANGUAGE 'One Word thousand pictures'
2 REASON
3 RELATION
*THE PASSAGES-PATHWAYS-COURSES
Of Logos (3)
IN THE BODY
ON THE BODY
AROUND THE BODY
*BOGY INSIDE LOGOS
&
LOGOS INSIDE BODY
*LOGOS MOVES BODY
&
BODY MOVES LOGOS
*BODY & LOGOS
= OPEN Signifiers – Signs -Clues – Traces
PERSONALY Signified
GETS IN & COMES OUT
Draws Out Something You Didn’t Know You Had it
LET THINGS HAPPEN
LET IT BECOME
LET IT APPEAR
LET IT MANIFEST
LET IT EVOLUATE
LET IT TRANSFORME
LET IT TAKE YOU
YOU FOLLOW
YOU DON’T KNOW IN ADVANCE
Where it Takes you
What it means
YOU DON’T INERPET IT
IT INTERPETS YOU
YOU DON’T KNOW IT
UNTIL YOU FIND IT
THEN YOU GOT IT
YOY FOLLOW IT
YOY LET IT TAKE YOU
